Las vegas all you need is love

4 5 1 4 1 2 1 . A quarter-century later, the Beatles made their way to Vegas, but in a far more creative way. 90 minutes of quirkily remixed Beatles music, las vegas all you need is love in a purpose-built theater at the Mirage Resort and Casino.

The Beatles, it turned out, could have a Las Vegas run without donning a single sequined tuxedo, and with their reputation for sidestepping expectations — even Lennon’s — intact. 2006, some critics raised an eyebrow at the prediction by Apple and Cirque that it would run for 10 years. How many Beatles fans, after all, were likely to travel to Las Vegas to see a site-specific acrobatic show? A great many, it turns out. Dominic Champagne tweaked his script to give it a more coherent narrative arc.

The choreography was overhauled, as were the Day-Glo, Pop Art costumes. That soundtrack is a significant part of the show’s attraction. Joel Howard, left, and Jimmie Cervera. But virtually all the music was included in the 2006 CD release, the deluxe edition of which included a 5. John Katsilometes, a columnist who covers entertainment for The Las Vegas Sun and Las Vegas Weekly. But also, the Beatles’ career arc, and the evolution of their music and their image, fits very well with Cirque. To an extent, the show is a tongue-in-cheek fantasy version of the Beatles’ history or, at least, selective glimpses of it.

Cirque’s staging and projections suggest Liverpool’s privations during World War II, when the Beatles were born, and just after. Lennon’s mother, Julia, who was run over while crossing the street, but also with the consolation that Mr. Lennon’s notion of Las Vegas obsolete. Steven Tyler of Aerosmith has seen it five times. But the transformation of Las Vegas’s image, Mr.